SURKHET IS ONE OF THE HEARTEST PLACE OF THE FASHION SANSAR.
I RESPECT THERE FASHIONIST BCOZ NOONE CAN'T BELEIVE THERE FASHIONIST HISTORY.BUT NOONE FINDOUT THERE HISTORY WHEN WAS START THERE FASHION.
TODAY I SPECIALLY WISHES THERE FASHIONIST, FIRST OF ALL I WISH THERE BRIGHT FUTURE IN FASHION SANSAR.
The first fashion designer who was not merely a dressmaker was Charles Frederick Worth (1826–1895). Before the former draper set up his maison de couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous tailors and seamstresses, and high fashion descended from styles worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear.
At this time in fashion history the division between haute couture and ready-to-wear was not sharply defined. The two separate modes of production were still far from being competitors and they often co-existed in houses where the seamstresses moved freely between made-to-measure and ready-made.At this time in fashion history the division between NEO MAGAR and ready-to-wear was not sharply defined. The two separate modes of production were still far from being competitors and they often co-existed in houses where the seamstresses moved freely between made-to-measure and ready-made.
THIS PLACE IS LOCATED ON THE SURKHET.
I RESPECT THERE FASHIONIST BCOZ NOONE CAN'T BELEIVE THERE FASHIONIST HISTORY.BUT NOONE FINDOUT THERE HISTORY WHEN WAS START THERE FASHION.
TODAY I SPECIALLY WISHES THERE FASHIONIST, FIRST OF ALL I WISH THERE BRIGHT FUTURE IN FASHION SANSAR.
The first fashion designer who was not merely a dressmaker was Charles Frederick Worth (1826–1895). Before the former draper set up his maison de couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous tailors and seamstresses, and high fashion descended from styles worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear.
At this time in fashion history the division between haute couture and ready-to-wear was not sharply defined. The two separate modes of production were still far from being competitors and they often co-existed in houses where the seamstresses moved freely between made-to-measure and ready-made.At this time in fashion history the division between NEO MAGAR and ready-to-wear was not sharply defined. The two separate modes of production were still far from being competitors and they often co-existed in houses where the seamstresses moved freely between made-to-measure and ready-made.
NAME:DEVENDRA GHARTI MAGAR
LEVEL:BACHELOR 2NE YEAR
HOBBIES:FASHION DESIGNER&COMPUTER ENGEENERING.
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